![]() ![]() Using the headphone socket means the main dial controls this level. These are 1 and 2 (for the input levels), and output (bottom right) plus a final button which means the dial adjusts the mix between the input and DAW. Two speaker-outs complete the connections.Ī central main dial controls the level of the output, plus a number of other levels determined largely by which buttons on the top of the panel you press. The more expensive EVO 8 doubles the inputs to four. ![]() You’ll find two combi mic/line inputs around the back of the EVO 4, and one instrument level input at the front for connecting guitar or bass (which then overrides the first input around the back). The compact Evo range was launched a couple of years ago to much acclaim. Read the full Universal Audio Apollo Twin X review Best budget interface We found it to be an incredibly fleshed-out and powerful recording experience using one of these and combined with the portable size, it’s the perfect interface for taking to and from recording sessions, with the connectivity to grow with you should you choose to invest further in the UA ecosystem. The front face of the Apollo Twin X features a huge knob that can be used for volume control of monitors, headphones, and input gain, as well as some handy buttons for phantom power, muting, and various other features. ![]() This means you can load in a vintage Neve channel strip which will modify the behavior of the analog input for some uncanny recreations of proper recording studio channels. This isn’t too different from any other desktop-based interface here, however, the clever bit is how the Unison preamps are matched with DSP processing. There are two hybrid XLR/jack inputs on the back with an instrument input on the front that overrides one of the back connections. It comes in two formats, Duo and Quad which are named for the amount of DSP processing chips they possess. We're big fans of the Universal Audio Apollo Twin X here at MusicRadar, and this super interface has some incredibly powerful features that will offer a serious upgrade to anyone’s home recording experience. And if you're in the market for a new interface, we've got all the best offers in our Black Friday audio interface deals hub. Looking for epic music gear bargains? We're tracking all of this year's biggest savings over on our Black Friday music deals page. If you already know your stuff, then just keep scrolling to see our top picks. We've cultivated this section over the years and it's packed with useful advice for budding producers. There are absolutely loads of interfaces on the market, so how do you know which is the best for you? Well if you're buying for the first time, we'd definitely recommend checking out our buying advice section at the end of this article to up your knowledge. For the latter, you'll need a multi-input interface but for the most part, any of the interfaces on this list will allow you to record a huge selection of instruments. ![]() Launch Pro Tools again to verify the audio output.Once you've selected your audio interface of choice you'll be able to record pretty much any instrument you like, from guitars and synths to vocals and even drums. Select the audio device for the headphone jack connection, and deselect the built-in speakers. If this happens, quit Pro Tools and go back to Audio MIDI Setup. Note: For MacBook Pro 2016 or later, connecting a headphone or external speaker to the headphone jack will create a new device in Audio MIDI Setup. Select Pro Tools Aggregate I/O in the Playback Engine drop-down box.Launch Pro Tools, and when you see its splash screen, hold the N key on the keyboard until the Playback Engine dialog opens.Select the Clock Source, Sample Rate, and which devices to Use. ![]()
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