![]() There’s no formula, but there is an attitude: surprise the viewers, confront them, involve them directly. Mann’s style involves an aggressive use of visual images, camera angles and sound. His mark is apparent in every frame of every episode. Mann is the single most important force behind Miami Vice. Drug Enforcement Administration and the Central Intelligence Agency. He stole into the Golden Triangle with a member of one of the Thai hill tribes, met veterans of the exiled Chinese Kuomintang armies and observed the conflicts between the U.S. For instance, in 19, he made three research trips into Southeast Asia to gather material for a screenplay. Danger defines his modus vivendi, and he surrounds himself with people of similar appetites. He smokes incessantly and gestures with his whole body. Nobody could be happier about all this than Michael Mann, a reluctantly handsome, driven forty-one-year-old. In a highly unusual move, NBC announced the series’ renewal on the air after the February 8th episode. Mike Levine, NBC’s director of current drama programs, says that the network is overjoyed with the show’s performance. The fact that Miami Vice can do that, despite the weekend activities of its young urban audience, is testament to its potential for success. ![]() ![]() But even airing on Friday night, when most of its potential audience is out of the house, Miami Vice has consistently between Matt Houston in local ratings and on several occasions topped the reigning Falcon Crest. Elsewhere - would take off if the show found a better time slot. And the ratings, only modest at first - as were those of NBC’s two other hits, Hill Street Blues and St. The two-hour pilot will be released as a feature film in Europe. Syndication rights have been sold to Canada, Australia and the BBC. Edward Hopper in Miami.Īs expensive as the show is to produce (it is one of TV’s priciest, at a more than $1 million per episode), Miami Vice is reaping commercial rewards as well as critical acclaim. Sonny gets out of the car and steps to the phone. Beneath the sign is alone, lit telephone booth. In one scene from the pilot episode, following a long shot of Crockett and Tubbs in the Ferrari, the car rolls to a stop under an arching pink and blue neon sign that reads Bernay’s Cafe. The design scheme is a juxtaposition of flashy high tech (cars, guns, chrome interiors) with the pastel colors and art deco lines of the restored South Beach area of Miami. Johnson and Thomas have a quirky individualism more often seen in movie stars than in television actors, and their show looks more like a motion picture than TV. But there are differences that are immediately apparent. The show’s story line is not that unusual it’s standard shoot-’em-up cop fare. ![]() Sonny has a gold Rolex and carries a Bren 10-mm semiautomatic pistol, a gun so new it is considered experimental by most special-weapons teams. ![]() Since they’re undercover in such a slick crowd, they can’t afford to be slouches in the clothes department Tubbs wears $800 Verri Uomo double-breasted suits and dark silk shirts with narrow Italian ties. Don Johnson and Philip Michael Thomas play two sexy, funky detectives, Sonny Crockett and Ricardo Tubbs, who ride around in a black Ferrari Daytona, picking off the master drug and flesh peddlers of southern Florida. It’s the show that keeps people who usually don’t watch TV at home with their phones off the hook on Friday nights. Miami Vice is the NBC series that is blowing standard television out of the water. ![]()
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